What’s Good? (Best of Winter TV 2017… & Iron Fist)

I haven’t done one of these in a while.

I guess it’s hard to make lists of what’s good in the world of entertainment when the real world is going to hell in a hand-basket… a hand-basket made of shit.

Once again, Legion, you’ve summed up my feelings precisely.

I know we can’t read tone and inflection on the internet. And sometimes the actual meaning of what we want to say is lost in its misinterpretation. So I’m gonna need for all of you reading this to picture the next sentence with ALL the sarcasm. (ALL OF IT!!!)

“The United States is in a really good place right now.”

“Is that supposed to be some kind of a joke?” “Hey. Hey. Hey. He didn’t mean it like that.”

So instead of spending all day in fear, I have chosen to escape to the land of nod. You know what I mean. While we wait for the next embarrassment, the next offense or the next outrage, I’ll be looking for the next distraction until the revolution starts. (which will not be on TV by the way).

Personally I blame the internet for all of this, but that’s a story for another time.

“Does that mean we WON’T be needing the goat?”

The goat stays.

What follows is a list of TV shows that are freaking unbelievably good and entertaining and well-written and sexy and escapist and brilliant and words fail me. And while it is true that I have talked about most of these in the past… THEY’RE STILL AMAZING.

I think Winter is my favorite TV season.

Let me explain…

“Get on with it, Melvin.”

The Americans is back and better than ever. That show has been consistently good from day one and will go down as one of the best in history.  Bates Motel is having their best season as well. Vera Farmiga has actually turned it up a notch (give the woman an Emmy already). Girls on HBO, just a couple of weeks ago, aired the best episode in its entire series run. A brilliant stand-alone story, that featured Matthew Rhys from The Americans by coincidence, which was just a conversation between a young writer and her creepy literary idol. (Rarely do I watch a show and then watch it again right after. I’ve already watched the episode three times. I wish it were a movie). The Superheroes on the CW are kicking ass on a weekly basis (even DC Legends has gotten better now that it’s embraced its fundamental silliness and monumental nerdy-ness).

Jane the Virgin lost its virginity but did not lose its creativity or its charm. And there are lots of new bisexual characters on my favorite shows. (That list is coming soon… it’s mostly women this time. Not my fault. There’s a shortage of bi men and an abundance of bi women recently. I’m not complaining. Well, I’m kind of complaining. I’m both complaining and not complaining. It’s confusing… that’s a joke). Star Wars Rebels has been amaze-balls this season. Running almost parallel with the events of Rogue One and setting up A New Hope (I almost want to spoil it but I can’t). BEN!!! (I couldn’t help it). Black SailsHomeland the list goes on.

But I’m not talking about any of those shows here today.

“Am I wrong or did he not just talk about them?” “Here comes the part we’ve been waiting for, sire.” “Well don’t just stand there. Keep cranking that monkey.”

What follows is a list of ten absolutely fantastic (relatively new) TV shows (with one notable exception…One of these shows is actually complete and utter garbage. But we’ll get to that one later… okay it’s Iron Fist… I can’t keep a secret).

So ask me the question already…

Go ahead.

Ask me.

Not THAT question, you idiot.

WHAT’S GOOD?

I’m glad you asked.

The Expanse (SyFy)

Developed by Mark Fergus & Hawk Ostby

Based on The Expanse series of novels by James S. A. Corey

Starring Thomas JaneSteven StraitCas AnvarDominique TipperWes ChathamPaulo CostanzoFlorence FaivreShawn DoyleShohreh Aghdashloo & Frankie Adams

“It’s been too long since we’ve had a really kick-ass space opera.”  – George R.R. Martin

We’re in season two now, so if you don’t know The Expanse, you’re a little late to the party but there’s still time for you to catch up. There are three main factions in the 23rd century: Earth (Earthers, Inners, Tumang), all the power, all the resources, United Nations controlled, corrupt bureaucrats and corporations;

“Is that a gun in my pocket or am I just happy to see you?” “It better be a gun.”

Mars Colony (Martians, Inners, Pomang), lacking in resources but making up for it in military might, they put all their effort into building a strong military because they were tired of being Earth’s red-headed step-child;

“Unte kowlting gut, to pochuye ke?”

and The Belt (Belters, Outer Planets, Beltalowda), the workers, born in space, mining asteroids and the moons of Jupiter for water and other resources, no resources of their own, no military, but without them Mars would have no way to get water. Without them Earth corporations would have no leverage over Mars.

Kewe to pensa ere The Expanse, beratna?

There’s a war coming between Earth and Mars. I don’t know for sure because I haven’t read the books but it’s like winter in Game of Thrones; that shit is right around the corner. And yes I just compared it to Game of Thrones. The Expanse is THAT good. Great performances, great story, great direction, fantastic special effects. The Expanse is quite possibly the best thing on TV right now with a language all its own.

But while The Expanse might be the best thing on TV right now, it is not my favorite thing on TV right now. My favorite thing is…

The Magicians (SyFy)

Created by Sera Gamble & John McNamara

Based on The Magicians by Lev Grossman

Starring Jason RalphStella MaeveOlivia Taylor DudleyHale Appleman, Arjun Gupta, Summer BishilRick Worthy & Jade Tailor

“Did you bring me little cakes?” – Umber (Horned Golden Ram God of Fillory)

The Magicians is like if Harry Potter and Buffy the Vampire Slayer had a baby and that baby grew up to be as hot as Emma Watson is right now. Oh my god, I love this show so much. Seriously.

Queen Margo and King Eliot

The Magicians is also in its second season and if you’re not watching it… I don’t know, I question your judgement. This show is sensational. And I know I’ve said this a bunch of times but I’m just going to keep right on saying it. I love everything about this show. I love the cast. I love the writing. I love the world. I love the story. And I love that it is the most bi-friendly TV show since True Blood (and you know how I love to see healthy bisexual representation on my TV).

“Is he talking about bisexuality again?” “We get it. You like guys and girls. We’re over it.”

This show has it all. Magic. Mystery. Adventure. Comedy. Time travel. Six-fingered bad guys singing show tunes. Large magical creatures wearing diapers. Hot teachers. Hot librarians. Hot students. Hot teachers and hot librarians hooking up with hot students. Little cakes. Did I mention the little cakes?

The Royal Family

Just watch the show.

Next… more magic.

Emerald City (NBC)

Directed by Tarsem Singh

Based on the Oz book series by L. Frank Baum

Starring Adria ArjonaOliver Jackson-CohenAna UlaruMido HamadaGerran Howell, Jordan Loughran, Joely Richardson & Vincent D’Onofrio

“Toto, I don’t think we’re in Kansas anymore.” – Dorothy Gale

Okay Emerald City just ended its first season and I see a lot of people putting it down but I, for one, enjoyed it. You know me. I’m all in for a good re-imagining of the classics. And with Emerald City, Tarsem Singh created my favorite version of the Land of Oz. A steam punk meets Song of Ice and Fire meets Cirque du Soleil, Land of Oz with giants and warring factions and flying monkey drones and outlawed magic and witches… and guns. And witches with guns. I really liked this show.

‘I am the Wizard of Oz.” “I thought you were the Kingpin.” “Can’t a man be both?”

In fact, I loved it. And I sincerely hope it comes back for another season and I hope Tarsem directs every episode again. Because it’s so gorgeous that I wanted to watch each one again… and I probably will. If I ever find the time. There’s so much good TV.

Next… I don’t even know what to call this one. It’s not a superhero show.

Legion (FX)

Created by Noah Hawley

Based on Legion by Chris Claremont & Bill Sienkiewicz

Starring Dan StevensRachel KellerAubrey PlazaBill IrwinJeremie HarrisAmber MidthunderKatie Aselton & Jean Smart

“What is your name?”  – Jesus (from the bible)

“My name is Legion. For we are many.”  – Legion (also from the bible)

Okay. Okay. I watched the first episode of Legion, the new comic book based show from the creator of Fargo, and I was like, wow that was pretty bland. Then after the second episode I felt like I knew more what they were trying to get at and felt it was worth my time. After episode three I was seriously hooked. I loved the characters. I loved the sixties fashion. The tongue-in-cheek attitude. It’s amazingly original and fun and I was completely wrong about it. Well anyway, we’re six episodes in and it’s the best thing I’ve ever seen in my fucking life… IN MY LIFE!!! It is frightening how good this show is. Frightening. (I think I’m gonna cry… seriously)

“So tell me are we inside your mind or outside your mind right now?” “I don’t know.” “Well that’s kind of scary don’t you think?” “Scary is not the word for it.”

Legion is about a powerful mutant. The back-story is that he’s Professor X’s kid (they may or may not keep this for the show but it doesn’t matter) and he’s got reality warping powers. Basically he’s the most powerful mutant on the planet (possibly in the universe) with awesome god-like powers. Now, that would be boring for a story because basically he can do anything he wants at any time but… you see… he’s not entirely sane in his mind. Also he’s not entirely alone in there either. So most of the comic book takes place in his mind. His main bad guy is inside him. And if you’re thinking, well how the hell are they going to bring that to TV and make it enjoyable. They did it. They fucking did it. And I think I’m going to cry. It’s so good.

“What’s for dinner? Is it chaos again? Are we having utter chaos again?”

Legion is really good and done very well. Noah Hawley has done an excellent job. Fargo is one of the coolest shows on TV and Legion is right up there with it. But it still kind of frightens me because it could go so wrong so fast. I really hope it stays grounded.

And I also like seeing heroes coping with mental disorders in my fiction (almost as much as I like seeing bisexual heroes) It’s refreshing and it’s identifiable.

Oh shit.

To the list!!!

Top Ten Fictional Heroes with Mental Disorders:

10. StormX-Men – Severe Claustrophobia

9. Martin RiggsLethal Weapon – Suicidal, Manic Depressive

8. Tony Stark/Iron Man – Extreme Narcissist (comics), PTSD (movies)

7. Carrie MathesonHomeland – Manic Depressive – Borderline

6. Jason BourneThe Bourne Identity – Amnesic, Dissociate

5. Bruce Banner/The Incredible Hulk –  Multiple Identity Disorder, (Split Personality)

4. David Haller/Legion – Schizophrenic, (see also Demonic Possession)

“That’s me. Everybody dance.”

3. Bruce Wayne/Batman – Obsessive, Compulsive, Social Phobic

2. Sherlock Holmes – Obsessive, Compulsive, Narcissistic, Sociopath

1. James Bond – Dissociate, Extreme Sociopath (Bordering on Psycho)

It was a quickly thrown together list with very likely mislabeled or misdiagnosed disorders but it was fun to compile.

But anyway. I love Legion on FX. I love the casting. I love the story. I love that it’s funny and absurd and romantic. I love that they respect the source material, making it the most original and creative television show in history. Legion is almost too good. Nope. It is literally too good. Because shows that are this good do not last for long (And just thinking about it going away makes me want to cry).

Next… Aliens

Colony (USA)

Created by Carlton Cuse

Starring Josh HollowaySarah Wayne CalliesPeter JacobsonAmanda RighettiTory KittlesAlex Neustaedter & Isabella Crovetti-Cramp

“I’m sorry if I still have a little crush on Sawyer and Carl’s mom.”  – Mel 

Colony is finishing up its second season and it was better than the first. Colony is the story of Earth after alien invasion. Humans are separated into colonies by force and into two factions; Collaborators and Resistance, by necessity.

“Sawyer?” “Yeah, Carl’s mom?” “Do you think Mel will be able to imagine us as anything other than those two characters?” “With our clothes on or off?” “Good point.”

The two lead actors are both very hot, which adds to my enjoyment of the show (sue me. I’d like to have sex with both of these people Is that so wrong? Should I keep that to myself?). Josh Holloway and Sarah Wayne Callies play Will and Katie Bowman. One works for the authority and the other runs with the resistance. But it’s not like they’re on opposite sides. They are on each other’s side. It makes for a great story. And the writing is what I like best. Colony has a good premise. And a good mystery. And Carlton Cuse doesn’t slowly drip out the answers like he’s done in the past. We start learning about the aliens early on. But there is still a lot more to learn.

“Just as long as nobody moves and nobody mentions Prison Break we’ll be fine.”

The stories are gritty and cool and suspenseful. And the action and the political drama make Colony one of the best shows on TV right now. And season two cranks up the suspense and brings the rest of the family into the story. So they’re turning into a family of bad-asses and I love that shit.

Let’s move over to Netflix

Love (Netflix)

Created by Judd Apatow, Lesley Arfin & Paul Rust

Starring Gillian Jacobs, Paul Rust & Claudia O’Doherty

“I once had sex w/ a guy whose dick was so small I thought it was a clitoris.” – Bertie Bauer

Love is the story of two broken people trying to make a relationship work. It is quirky and funny and absurd (but in a yeah that could totally happen sort of way). It stars Gillian Jacobs and Paul Rust, one of the shows creators, who is not the best actor but embodies the character to a Woody Allen type level. But Gillian is the stand out here for me. She plays this fragile warrior sex addict to perfection and I just want to scoop her up and plop her on my couch. Him, not so much.

“Him not so much? What does that even mean?” “Well at least he doesn’t want to plop you on his couch. Plop me? Is that a euphemism? Is that a sex act?”

I find him more annoying than likable but it’s not a deal-breaker because it’s a very well-written show. And he is a three-dimensional character. I just sometimes wish he had cast another actor to play his part. But look at me, I’m finding fault in something I love. Blowing a little problem out of proportion. Like some kind of self-sabotage. Ignore me.

Do people still smoke? Is that like still a thing? I don’t get out much.

Love is very funny with a lot of great minor characters. The two main characters both work in entertainment, her in radio, him in TV. And the show spends a lot of time on their separate lives. On their work and on their friends. So when they come together, it’s almost like two separate shows connecting through them. It’s a brilliant structure.

“I’m not Woody Allen. I’m not even Jewish. I’m Catholic. And this… this is not Annie Hall.”

And I’m sorry I insulted it before. It’s always only been about them. I mean I like Catastrophe too. Catastrophe is a great relationship show on Amazon. But the characters aren’t as likable. Don’t get me wrong, I think Catastrophe is very funny. And it’s not like I like Amazon more than Netflix. And it’s not like me and Netflix were exclusive or anything. But look at me, talking about another show and another network in my review. I really suck at this.

“This oughta shut you up.” “You said that into my mouth.”

Let me explain. You see, I’m sort of TV addicted and it’s hard for me to commit to just one show or just one network. But I think I’m ready. Can we start over?

Travelers (Netflix)

Created by Brad Wright

Starring Eric McCormackMacKenzie Porter, Nesta Cooper, Jared Abrahamson, Reilly Dolman & Patrick Gilmore

“I distracted myself from the fear and terrorism by thinking about things like how the universe began and whether time travel is possible.”  – Malala Yousafzai

Here’s a show I just discovered on Netflix and was completely blown away. Travelers is a time travel drama like Continuum meets Quantum Leap meets 12 Monkeys. It is some of the tightest time travel writing around. This show is extremely well-written and intelligent and deals with Time Travel paradox in a smart and original way.

Protocol 4 – Don’t Reproduce

But, by far, the best thing about Travelers is the characters. Each of the “travelers” from the future assume the identity and take over the body of a person from our time who is about to die. Seconds before they die. So, first they have to save their own life and then they become that person. And from that moment on they have to pretend to be that person who should actually be dead, all the while knowing only what they learned about them from social media and computer databases in the future. Not the most accurate.

Protocol 1 – The Mission Comes First

The travelers have a precise list of protocols that govern their actions. This is another fantastic part of the show. Like mini prime directives (from Star Trek) that control their behavior so that they don’t do too much damage to the time-line. But if you know time-travel shows then you know that’s laughable.

Protocol 3 – Don’t Take a Life. Don’t Save a Life.

Travelers is an action and adventure show that’s good just from that perspective but it’s the drama in assuming and continuing the life of some one who would have died, that makes Travelers truly outstanding. This is some brilliant writing. With good performances. And a great cast.

Protocol 5 – In The Absence of Direction, Maintain Your Host’s Life

Travelers is fantastic and it has been renewed for a second season… THANK THE DIRECTOR. (that’s a Travelers joke. It’s very funny. Just watch the show)

Next… from Brazil…

3% (Netflix)

Created by Pedro Aguilera

Starring Bianca ComparatoJoão Miguel, Michel Gomes & Rodolfo Valente

“People who would go to an art house cinema and watch a (foreign) movie and read subtitles… it’s a small percentage.” – Steven Zaillian

The 3% is a science fiction drama from Brazil. Watch it with the subtitles people. I know that means you have to actually pay attention and you can’t look away for a few seconds to check your phones but it’s worth it for the original performances and not just the English dub. But if you need to watch it dubbed then watch it dubbed. I’ll just sit in quiet judgement. It really doesn’t matter. The story is awesome either way.

Michel Gomes as Fernando Carvalho

3% is an intriguing story about an overpopulated city in the future and a “process” they use to decide who gets to live in a Utopia just offshore. Only 3% get selected, young people, and they only get one chance to make it through the trials… the process.

Bianca Comparato as Michele Santana

Of course there are other things going on. There are machinations behind the scenes and politics and a rebellion against the process. And then of course there is a love story. And a story of survival. And redemption. And… the show is awesome. I kid you not.

3% has Tough Guys with pipes

But the main story follows several “candidates” as they go through the trials. It’s like The 100 meets The Hunger Games meets Logan’s Run. It’s very good. There are eight fantastically suspenseful episodes of the first season. But I honestly don’t know if it’s as good dubbed as it is with subtitles. I watched it with the subtitles on because I’m all like sophisticated and shit. But you can always switch back and forth, if you’re easily distracted. (I’m just kidding. I kept forgetting that there were subtitles. And I would look down to check my phone. And then realize that I didn’t actually understand what they were saying when I wasn’t looking. It was awful… the internet has destroyed us).

3% has Heartbreaking Romance

3% is a really cool Brazilian Netflix series that has been confirmed for a second season.

And then there’s…

Iron Fist (Netflix)

Iron Fist Poster Not Found. #IronFisted

Created by Scott Buck

Based on Iron Fist by Roy Thomas & Gil Kane

Starring Finn JonesJessica HenwickTom PelphreyJessica StroupRamón RodríguezSacha DhawanRosario Dawson & David Wenham

“His fist glows, he’s got a beard, he has enemies. Boom. Now let’s do the team-up thing.”  – Marvel Television

I know. I know. Let’s slam on the brakes for a second. Iron Fist is horrible. It is awful. It’s like instead of a script they had an eleven year-old kid flailing his arms and making kung-fu noises. “And then Iron Fist goes BAM. And then the bad guy is like POW. But Iron Fist’s got him in a headlock and WOOSH and then a kick and then a punch… got it? Okay? ACTION!!!” and yes the kid was also the director.

He actually farts and was trying to play it off by beating one of her students and that makes more sense than what happens on the screen in Marvel’s Netflix’s Iron Fist.

No honestly, it’s the worse show. But look at it this way. The Defenders can only be better. There’s no way it could be any worse. Iron Fist is total garbage. Netflix had painted themselves into a corner. Daredevil was amazing. And then Jessica Jones was even better than that. So then season two of Daredevil was only pretty good and we’re like maybe they leveled off but then… Luke Cage was fucking great too. It was too much good. And they had already committed to release The Defenders. So all they had to do was put out an Iron Fist series. And you get to a point where there is just too much good. And all that’s left on the creative pile is crap. The Defenders or Iron Fist or both was going to have to be crap. It’s the nature of the universe. It’s just basic physics.

Sometimes they have to sacrifice acting for fighting ability and sometimes they have to sacrifice fighting ability for acting chops. It’s rare when they sacrifice both for naturally curly hair.

So what Iron Fist did was it took one for the team. It used up all the negative space. It sucked up all the crap. And it lowered expectations for the team-up. Iron Fist is as relatively bad as all three of the other Marvel Netflix origin seasons are good… combined. It’s that bad. It’s so bad that The Defenders is going to be Earth-shattering by comparison. You can’t get worse than Iron Fist without losing subscribers. You also can’t make something that cheesy looking and not realize it. The sets are laughable. I thought I was watching old Star Trek reruns. They show the kid being beaten by monks in what’s supposed to be a monastery in a mystical city but they look like they’re in a re-purposed janitor’s closet. It’s bad.

Why does Iron Fist have an erection? Does anyone know? And why is he on a Star Trek planet?

It’s impressively bad. The dialogue is practically offensive. It’s so awful. They used to sneak out of the monastery to have donkey meat? Where is this donkey meat cart located? Or are they killing someone else’s donkey, eating a very small part of it and leaving the rest to rot? Unless he’s talking about sucking a donkey’s dick, it makes absolutely no sense. I can’t start talking about the show critically because I’m just going to get angry.

“No questions… yes, you have a question?”

But I’m still recommending that everyone watch Iron Fist. You’ll want to turn it off after episode three but don’t. And no it doesn’t get any better. It actually gets worse. There’s no humor. There’s no romance. And the so-called bad guys are totally right. Danny Rand is an awful person. As one guy puts it. He’s the worse Iron Fist ever. But… Oh my god. There’s a scene where Iron Fist is being chased through a crowd and to blend in he picks up a mask and puts it on his face. DOESN’T CHANGE HIS CLOTHES or his jacket or anything. He isn’t facing the guy chasing him… like as if that would matter anyway. But then he loses the guy because he doesn’t see him wearing that dumb mask. There is no way they couldn’t tell what they were making was garbage. There’s no way they couldn’t tell. It had to be made shitty on purpose.

“Yes we did just fly to China on a private jet and kidnap someone and take them back to America with us on that same private jet… why do you ask? Is that hard to do?”

So now I’m convinced that Iron Fist was made bad on purpose. And I want to thank the makers. They took a bullet for the team. Pour out a little for the dead on arrival Iron Fist. I mean it is monumentally awful. Truly, truly awful. But it can only serve to make The Defenders look incredible by comparison.

And lastly one pilot from Amazon…

The Marvelous Mrs. Maisel (Amazon Pilot)

Created by Amy Sherman-Palladino

Starring Rachel Brosnahan, Tony Shalhoub, Marin Hinkle & Alex Borstein

“Women are smart and funny. Get over it.”  – Eric Cartman

The Marvelous Mrs. Maisel is about a 1950’s housewife who decides to become one of the first female stand-up comics. It is a fantastic period drama about comedy from the creator of Gilmore Girls. And it has that quick-witted Gilmore Girls style to the writing and the dialogue. But the best part is the marvelous Rachel Brosnahan in the title role.

“Who makes a toast at her own wedding? I do.”

Mrs. Maisel is the story of the most amazingly funny and smart and cute and remarkable woman. It is hard (really hard) not to fall in love with her. The Marvelous Mrs. Maisel is like Mad Men meets 30 Rock meets I don’t know Buffy? It’s the story of a pioneering female comedian in the late fifties. Maybe she’s Phyllis Diller. Maybe she’s Carol Burnett. Maybe she’s amazing.

“Yes my phone has a cord connecting it to the base. That’s how you know it’s the fifties and not the eighties or the nineties. Why do you ask? And where the hell is my microwave oven?”

She’s awesome. I love funny women and the show makes you fall in love with her almost immediately as she deals with the 50’s era and then accidentally discovers that she has a talent for making people laugh. It’s just a pilot right now but please check it out. It’s the best they have this season on Amazon. I watched them all. There’s not a lot of good there. And I hope The Marvelous Mrs. Maisel doesn’t get buried in that pile because it’s great even when compared to established shows. It’s just a thousand times better than the other pilots this season.

“Dear Diary. I can do so much better than this schmo. Love Midge. PS. I have half a mind to tell the driver to take me to Mel’s house. But it’s the fifties and he’s a negro.”

And I really really really want to see more of her… of it… I mean the show… of the show… okay I’m in love with the character. Bring her back. I have a thing for funny smart women (Fictional, Non-fictional). I always have. It’s a sickness. I find smart and funny women sexy as all hell.

Watch The Marvelous Mrs. Maisel on Amazon Prime Pilot Season… please.

So that’s what’s good.

Find these shows. Watch these shows. Love these shows as much as I do. And then you’ll be all caught up and ready for the return of Doctor Who, Game of Thrones and Dark Matter. Just to name a few.

“Om Mani Padme… um… um… I want to say Om again but that can’t be right.”

Man. When I was a kid there was like a handful of superhero shows and a few more space adventures and a couple of sword & sorcery shows, but they were mostly all crap.

You kids have it so much better than we did.

We had to watch crappy science fiction on TV all the time.

AND YOU NEVER THANKED US!!!

– Mel

Spared or Spoiled Movie Reviews: The Lobster

The rules are simple. The good get spared. The bad get spoiled.

“You can be a loner until the day you die. There is no time limit.”

From someone who spends most of their time alone, and has made peace with the fact that they’ll probably be alone forever, this movie is really fucking depressing.

The Lobster (Picturehouse Entertainment)

Directed by Yorgos Lanthimos

Written by Efthimis Filippou & Yorgos Lanthimos

Starring Colin FarrellRachel WeiszJessica BardenOlivia ColmanAshley JensenAriane LabedAngeliki PapouliaJohn C. ReillyLéa SeydouxMichael Smiley & Ben Whishaw

This movie made me uncomfortable. The Lobster has a few funny moments. A few laugh out loud, what-the-fuck moments. But mostly it’s just cringe-worthy and violent and unwatchable. I guess you have to get the joke. The whole thing about society requiring that humans pair off. And how being alone gets you ostracized. And I guess that’s the case… I guess. In the Lobster this is way way waaaaaaaaaaay over the top with single people being reassigned to live their lives as the animal of their choice (basically an execution). But as “one of the lonely people” I just took all this nonsensical forced pairing crap and ignored it as less of an allegory on our society and more of a plot point about their absurd fictional one. So once that whole part of the movie is disregarded as not being a distorted reflection of us, but a wholesale fiction, then all that’s left of The Lobster is violence and bad behavior and a lack of empathy bordering on the psychotic. It’s not funny. It’s more disturbing than anything resembling funny and it made me incredibly uncomfortable. Let me explain why this movie is depressing and awkwardly unfunny with many many spoilers.

Verdict: SPOILED

SPOILER ALERT!!!

The Lobster is the story of three locations in a dark parallel universe. This doesn’t represent our future. It’s not our future because nothing is more advanced than what we have. In fact the movie is ultra-low-tech. The City, a place where anyone walking alone is asked to show proof that they are in a relationship or are shipped off to the second location. The Hotel, a disturbing concentration camp where the newly single have 45 days to find “love” or get reassigned as an animal (this is basically execution but I guess the story was violent enough) unless of course they can escape to the third location. The Forest, outside of the city, where escapees from The Hotel live as refugees and also where the singles from The Hotel go to hunt down and kill single people to gain one extra day of existence as an unmarried, single human being imprisoned at a sadistic hotel. This is some dark and annoyingly unfunny, absurdist crap.

The Lobster is outrageously violent (like Logan violent) but the filmmakers take pains to show women being the aggressors towards men and not the other way around. Everyone is thirsty. Thirsty for sex. Thirsty for love. And thirsty for blood. At one point a woman, describe in the film as being heartless (but not particularly any more heartless than the other awful characters), kicks a dog to death in order to prove that her lover has emotional feelings for his pet. It’s disgusting and well over-the-top. At one point a woman who runs the refugee camp in the forest blinds another woman for having the gall to fall in love with a man at her singles enclave. This is pointless and cruel. The Lobster is full of pointless cruelty that is only sometimes funny. Dark violent humor that seems more like misplaced anger toward an ex? (who hurt you, Yorgos?)

Guests at the hotel are subjected to forced sexual arousal but restricted from masturbation. This would have been funny except that the punishment for getting caught masturbating is having your fingers burnt off in a toaster. But The Lobster is not all bad. Rachel Weisz is heartbreaking and brilliant as a hotel escapee. And in the middle of this violent nightmare, there is a touching romance between Colin “Hotel Guest” Farrell and Rachel “Refugee” Weisz. Or “un-touching” romance, because they’re not allowed to touch. It is cute and romantic as they make up their own silent language so as not to get caught having a relationship. But this beautiful part of the movie gets lost in all the bleak, violent stuff surrounding it.

One of the actually funny themes moving through The Lobster is the idea that all relationships are built on some common trait. The two leads share a similar visual malady. Other couples can both sing. Or they both have limps. Or both get nose bleeds. Or absolutely anything else. But it’s never about love. This gets blown further and further out of proportion when the main character decides to blind himself in order to stay with the female lead who was made blind earlier in the film. He loves her already but believes that they can’t be together unless they are both blind. It is absurd. And it’s supposed to be funny. But as he directs the steak knife into his eyeball, it did not make me laugh. It made me uncomfortable. Maybe it’s just me but blinding yourself with a steak knife for love is not even a little bit funny.

There are, however, a couple of jokes that hit home. And a couple of themes that resonate. Like when the lonely older woman who is sweet and sexy but depressed because she doesn’t want to die (live as an animal… whatever), throws herself, awkwardly but sweetly at the main character. She’s smart. She’s funny. She tells him all this stuff she’ll do sexually but he ignores her because he instead wants the younger girl who would eventually beat his dog to death. Or the even younger girl with the nose bleeds. This is funny, poignant, and depressingly accurate, as he ignores this possible loving relationship for two horrible… younger women. And there’s this great joke where couples who are having problems are assigned children because that always makes it better. But then the sexy older woman later tries to kill herself and this too would be powerful if she had jumped from a higher floor. But she doesn’t. And she lands on her face and lies there screaming in a pool of her own blood for five minutes of screen time. Wailing and screaming in pain while our hero chats up the future dog murderer. This is also supposed to be funny. This is about as funny as Donald Trump being president.

The Lobster masquerades as a commentary on how our society values people in relationships over those who don’t mind the loneliness of being single. And the movie illustrates this point when guests at the hotel are shown a pantomime of a lonely man dying alone. With no one to give him the Heimlich maneuver, he chokes on his food. Then the guests are shown a situation where a woman walking by herself (in what has been established as an incredibly cruel fictional world) is being sexually harassed and then raped, with no one to come to her aid.

The Lobster isn’t so much making fun of these societal tropes and traditions of the spinster and the hermit and the fear of dying alone as much as it’s reinforcing them. Yet it’s not this heavy-handed loner bashing that’s the biggest problem with the film. It’s the cruelty of every single one of its characters. None of these people are lovable. Not one. The married people suck. The single people suck. Even the animals are complete dicks. Honestly, I was ready for some quality entertainment when in the first scene a woman gets out of her car and shoots a horse in what is obviously a fit of jealous rage based on personal pain inflicted on her by that particular animal. It is an hysterically funny moment and I’m thinking, Great! this is going to be a good movie. No. It just declines from there. It just gets more violent from there. More animals being killed and people being mutilated for masturbating.

The Lobster is a cruel violent movie. Filled with cruel violent characters. Desperately seeking cruel and violent misguided love connections. And even though it can be mildly entertaining sometimes. Most of the time, The Lobster just made me feel uncomfortable. Uncomfortably sad and lonely… and that’s not why we go to the movies.

– Mel

Spared or Spoiled Movie Reviews: Don’t Think Twice

The rules are simple. The good get spared. The bad get spoiled.

Don’t Think Twice (The Film Arcade)

Written & Directed by Mike Birbiglia

Starring Keegan-Michael KeyGillian Jacobs, Mike Birbiglia, Kate MicucciChris Gethard & Tami Sagher

It’s been proven that it’s hard to make a successful drama about comedy (or comedians) because the audience doesn’t know what to expect. Don’t Think Twice is a movie about funny people. The situations aren’t comedic but the characters in those situations are. It is a very good movie but as with all dramas about comedy; The King of Comedy, Jo Jo Dancer, Funny People, Obvious Child or Mike Birbiglia’s Sleepwalk With Me, it is a hard sell. It is a hard sell because it’s easy to expect a laugh a minute from these movies and be disappointed. Because serious movies about comedians are usually kind of depressing. Show me a comedian who isn’t quietly in pain and I’ll show you someone who only thinks that they’re funny. Don’t Think Twice handles this contradiction beautifully. The director Mike Birbiglia knows the subject well and does an excellent job of bringing it to the screen. Don’t Think Twice is really funny when it’s funny, but still really good when it’s not.

Verdict: SPARED

Don’t Think Twice is a movie about the skill of comedy improv and about a comedy troop of six friends. Each one, dreaming of success. And success for them is presented here as a call up to the show. (The Show is a baseball term for making it to the major leagues). “The Show” is an SNL type comedy called Weekend Live. They all dream about it. They all know someone who made it. And it all feels very real. Don’t Think Twice stars a bunch of funny people. Some stand-up comedians, some sketch comedy veterans, but all of them amazingly good in this as it hits close to home.

Mike Birbiglia plays the elder statesman of a group of twenty something actors. He was their improv teacher and he performs with the six-man crew at a little theater that charges five dollars for a chance to see extremely likable people make it up as they go along. It’s very cool. I wish I could do stuff like that. I love making people laugh.

One of the best things about Don’t Think Twice is that it is scripted. Completely scripted. I hate when directors turn the cameras on and let funny people wing it. As a writer (god I still call myself that), it’s insulting and it’s a continuity killer and stops the story in its tracks. In basketball it’s like passing the ball to a ball hog. You’re not getting the ball back without a fight. (a basketball is the big orange one that makes watching TV in March unbearable). I don’t know how this review became about sports but I’m just going to roll with it (like in bowling).

In Don’t Think Twice the theme is team work, one of the hallmarks of good improv. But as the group begins to compete to impress talent scouts, the idea of “Yes and…” (a central tenet of improv) becomes “No. But…” and the movie becomes a great example of how competition ruins friendships. Just like in sports, there is no I in team (a team is a group of athletes who work together to score points and win the game). Don’t Think Twice also shows us how not to act when a close friend succeeds and we don’t. And also how something like unilateral success can affect romantic relationships as well. Don’t Think Twice is a very good movie about the life of the show-biz adjacent.

Don’t Think Twice is wonderful. Great performances, great writing… and it’s very funny. It can’t help but be funny, it is about and it stars very funny people. But Don’t Think Twice is not a comedy. It is a great drama. There is pain behind the laughter and it’s beautifully performed. Keenan-Michael Key is fantastic, as is Gillian Jacobs as his girlfriend. I really loved Gillian in Community, but honestly everything she’s done since has been fantastic. I loved her on Girls. I love her in this. And the Netflix show Love (two seasons so far) is phenomenal. I love her in Love… love, love, love.

And Mike Birbiglia handles both of his jobs extremely well, directing and acting. I really like his direction here. You can tell it’s personal for him, and for all of them.

When you pull the drama mask from the actor, you find a professional at work. Someone who may be nothing like the characters they play.

When you pull the comedy mask from the fool, you find a comedian in pain. Someone who needs to make people laugh in order to keep from crying.

Don’t Think Twice is a funny drama. But make no mistake it is a drama. And also it’s very funny.  It is a beautiful, low-budget drama about show business and comedy and friendship and improv and varying degrees of success. And I enjoyed it profusely. It’s a really really good movie.

– Mel

Spared or Spoiled Movie Reviews: Logan

The rules are simple. The good get spared. The bad get spoiled.

SPOILER ALERT!!!

I did not like this movie. I thought it was a child’s idea of what an adult movie would look like. Violence and cursing. “Please daddy can I stay up and watch Logan with you? I won’t get bad dreams honest. No? Why not? Why should I listen to you anyway? You’re not my real father.”

Go to bed. Because I said so and I’M AN ADULT!!!*

“It’s bedtime. Let’s find another nice family to kill.”

(Off topic* For the last several months, whenever I stop myself from doing something stupid or childish, I yell out, “I’m an adult.” in a fake stage voice out of pride and silliness. Which is admittedly stupid and/or childish but it has become my new mantra and the theme of this review for some reason)

Logan (20th Century Fox)

Directed by James Mangold

Written by Scott Frank, James Mangold & Michael Green

Starring Hugh JackmanPatrick StewartRichard E. GrantBoyd HolbrookStephen Merchant & Dafne Keen

I’ll put up my review now. The last post was me being happy with the theme of the movie Logan and what it means for comic book movies. I did not hate the movie as much as you might think. But I did not like it as much as most of you did. I thought the violence was unnecessarily um… violent. I’ve always believed that when it comes to Wolverine the idea of him doing those brutal things to people is sufficiently gruesome enough and not every kill has to be shown in gory HD detail. I thought the writing was sloppy. The plot was non-existent. The performances were good if only the actors were playing other characters. The only thing recognizable about those characters on the screen was the way they looked. I liked the theme though. I really did. Lone Wolf and Cub meets Mad Max meets Tuesdays with Morrie. That’s the reason I can say I didn’t hate the movie. The execution just left a hell of a lot to be desired. And obviously I’m going to spoil the shit out of it. And rant, and rant, and rant.

Verdict: SPOILED

“Are we really going to do this again? The first time was brutal enough.” “Honestly father. I thought at the very least you would see the irony in a Logan review being unnecessarily brutal… father?” “What are you like 60?”

SPOILER ALERT

The 25 Worse Things About The Movie Logan by Mel Rook

I started listing things and just kept going so there’s much more than 25 and they’re in no particular order because honestly I got bored.

To the list…

1) Wolverine’s adamantium does not corrode: I waited for them to say that he had some kind of radioactive substance in his body or that he was being poisoned because his fucking skeleton would not be leaking into his blood stream and affecting his healing. Not even acid would do that.

(Can we get someone in here who’s actually read the source material)

2) Wolverine is not a werewolf: Adamantium bullet? For fuck sake. Maybe it would go through his metal skull and then again maybe it wouldn’t. But Wolverine is not the fucking metal around his bones. Why would shooting him in the head kill him? Wolverine is not a zombie either. He heals after much worse injuries.

(Read the books)

“These are just props. No one actually fucking read them.”

Speaking of adamantium.

3) They put adamantium in the little girl’s body? Well then that means she can never grow any taller. It’s not an organic material. They encased her bones in a metal cage. She’s a human bonsai tree. What the fuck idiots?

(She’ll never be an adult… not like me. I’m an adult!!!)

Let’s move on to the unnecessarily violent action sequences.

4) The bad guys are like cannon fodder: They run right into the line of fire again and again. To the last man. They look like bad ass mercenaries but act like lambs being lead to the killing floor.

And what’s with all the gore? vicious kills of guys who can’t move. Vicious brutal kills by a little girl. It’s way over-the-top. In Deadpool it was necessary and comical. Here it’s just a way of screaming. “I’m a comic book movie for grown-ups!”

But let’s talk about the victims… the endless stream of so called bad guys.

5) Five guys show up for a fight and Wolverine kills twenty guys: Hub-cap thieves or industrial corn farmers or bad-ass mercenaries with cybernetic implants, more people die in the fights than actually show up for the fights. Just count them. I know continuity is an adult film-making concept but come on guys. At one point Bizzarro Wolverine is killing ranchers off camera but you can hear him and there’s like fifteen death screams for like eight rednecks. It’s dumb. The movie is dumb!!!

(I’m an adult!!!)

“The guy behind me knows I’m going to kill him right? Well then what the hell is his motivation?”

The little girl, Laura was made in a lab and yet…

6) She’s incredibly wise for someone so young: She doesn’t speak for half the movie and won’t shut up for the second half. I guess she had to speed learn English or something. She’s a kid. They learn things fast… like driving a car for instance.

7) She knows how to drive a car: For someone who has never left the lab, she parks the truck perfectly her first time behind the wheel.

(We’re all real proud of you Laura)

But how did she get Wolverine’s dense, metal bone having, passed out, grown man’s body into the stolen truck anyway? Never mind… it’s movie magic!!!

9) Shane, the classic western is on TV in the hotel room in the movie that we’re watching. And there is more emotion on the screen than at any time in the actual movie: Shane is not playing in the theater. Logan is not Shane. Logan will never be Shane. Logan… apologize to Shane.

“I can lift a man ten-times my size because… I’m a little adult!!”

10) What’s the bad guy’s motivation? Were they supposed to take Laura back alive? So that they could kill her later? Were they supposed to leave Charles alive. The “weapon of mass destruction” he had become. Were they supposed to keep Wolverine alive? What are the bad guys even doing?

“What’s my motivation? Am I a bad guy in this scene? Does the blade go through the back of my head from underneath the chin or the eye socket or is this yet another beheading? Wait… what’s my motivation again?”

(Grow Up)

Oh yeah let’s talk about this degenerative brain disease that causes people for miles around to have seizures when Charles has one. Then again let’s not it’s just dumb. Take your damn pills Charles.

(He can do as he pleases. He’s an adult!!!)

11) The young mutant clones are all so well-adjusted: Are we sure the corporation was treating them badly? They seem well-educated and healthy for lab experiments that they wanted to become super weapons. They should not have let them watch all those old westerns and read all those comic books.

And yeah…

12) Why are there X-Men comics in the movie? At no time in the X-Men timeline in any of the movies or comics are they accepted as heroes or even anti-heroes. We’re supposed to buy that they’ve been wiped off the face of the Earth. All of them including their children… their entire bloodline, but still the kiddies love to read about them in the comic books.

(I need to calm down before I have a seizure of my own)

“Professor. tell me how Magneto’s helmet works again.” “It works like a Faraday cage.” “Sure but in order to cover his head in all six directions wouldn’t he have to…” “It’s just a comic book you jackass.”

13) Logan is not in some dystopian future even though the film-makers forget and try to make it look like it is. I think they had Mad Max on the brain while filming. It’s the future, sure. You can tell by the tech. The self driving trucks and whatnot. But everything else is business as usual. Kids going to prom. People going to Vegas. Horses on the highway. Just because the last mutants are hiding out in some abandoned factory across the border doesn’t mean the world isn’t still spinning… just spinning without X-Men.

14) If they wanted to do the Old Man Logan story then they should have done that story. A darker, further in the future, story where super-villains divided the world up. They lame-assed it here. They lame-assed it real good.

15) What the fuck’s up with Callaban. I’m guessing the half werewolf, half zombie, Wolverine from Logan needed a vampire servant or some shit. Was Stephen Merchant supposed to be comic relief? because… not funny.

16) So is that tank that they keep Charles in supposed to act like a Faraday cage? Is it to protect others or to protect him. Because it doesn’t work for others. His seizure thing goes right through the tank. And if it’s supposed to hide him, well then they’re doing it wrong. The main mercenary bad guy cannon fodder guy actually says, “Keeping him in the tank. That was smart.”

(PLEASE EXPLAIN!!!!!!!)

“Well it’s obvious someone didn’t think this through.” “Don’t look at me. I’m the not at all funny comic relief. What do I know?” “You know enough to stay out of the sun.”

17) Hi I’m a nurse working for a secret corporation in the future but when I enter their top-secret facility they don’t take away my cell phone because… well because of plot. If you’re watching this then I must be dead… or I showed it to you because it’s evidence of the corporation’s wrong doing or you’re watching it on YouTube. I don’t know. If you’re watching this you must have pressed play. I was recording this when they broke in but I was still able to hide it and leave you note. And also they killed me but didn’t search the room. Whatever… my boyfriend worked there.

Let’s go back to the science behind this adamantium bullet for a second.

18) Did they mean adamantium tipped? That’s what they meant right? Still shouldn’t be able to kill Wolverine but you guys do see the error in your logic don’t you? Indestructible metal and all.

19) The coordinates are in the comic book. The coordinates are in the comic book. Just let that sink in for a second. Precise Longitude and Latitude? Because Stan Lee was thinking ahead and because of… you know plot?

(Excelsior!!!)

“He’s being so cruel.”

So did those kids build that house when they got to the coordinates that are from a fucking comic book or was the house already there? Asking for a friend.

20) The dialogue is crappy, people. The best line in the movie is a quote from another film. And she doesn’t even quote the burial scene in it. She watches Shane’s monologue to the kid and she watches the burial scene as well, so that when she quotes the final monologue during a burial scene it makes sense to us. It doesn’t. It’s fucking stupid.

(Hell I can still hear that kid yelling, “Come back, Shane! Mother wants you!” and it brings a tear to my eye today. They should be ashamed of themselves. That’s film-making. That’s real emotion. How dare they even compare Logan to that)

21) Is she a clone of Wolverine or is she his kid?

“He is NOT the father.” (Thank you Maury).

“Daddy!!!” (Use your words, Laura.) “AAAAARRRRGH!!!”

So they’re kids when it’s convenient. Weapons when it’s necessary. She’s a sweet kid when it’s cute. She’s a trained killer when it’s necessary. Because of plot, is that right?

Back to the seizures one last time… Because of their healing ability the two mutants are not as affected by Charles Xavier’s powerful seizures. Because of healing and… plot. Or is it their metal skulls?

(Tell me!!!)

22) Take your fucking medicine, Charles: “But I’m so sad about killing people, Logan that I can’t take my medicine that stops me from killing people.”

“Logan?” “Yes, Charles.” “When we’re on this boat you’re saving money to buy, how will I get my medication?” “Don’t ask me stupid questions, old man.” “But if we’re just getting on a boat to die then why does it have to be so expensive?” “You always were a pain in the ass, Professor.”

I almost forgot the dumbest part.

23) Let’s stay in this lovely family’s home. It’s not like we’re being chased by killer mercenaries. It’s not like the old man in the wheel chair (let’s take him upstairs by the way) is an out of control weapon of mass destruction or anything. And the feral kid isn’t a ticking time bomb of rage. And Wolverine himself isn’t fucking suicidal. Let’s repay their kindness by getting them all killed. That makes total sense.

Best part of the movie is when the father decides to shoot the real Wolverine knowing that he wasn’t the guy who killed his family directly… Indirectly, though… hell fucking yeah. He killed those nice people. “We almost killed an entire hotel full of tourists in Vegas. Let’s have a sleep over in the country!”

(I’m an adult!!! And I wrote me a comic book movie!!!)

Here’s something else stupid.

24) We’re going to buy a boat: Yeah because a guy with heavy metal bones and an old man who can’t use his legs are a great idea on the open water.

(OH MY GOD!!!!! WHAT THE FUCK!!!!)

If they’re not going out on that boat so that Logan can “Fredo Corleone” the Professor then I don’t know what the fuck’s going on.

“Pay attention Laura. You may have to drive me somewhere… without knowing where you’re going, knowing how to drive, being able to reach the pedals or how to read. And you’re going to have to steal a truck. Are you watching me? You need to watch me.”

Did no one read the script before making this movie???? No one??

Was there not an adult somewhere who could point out how dumb these things were?

What a great idea it was to do an adult comic book movie. Too bad they couldn’t find an adult to make it. Am I being too harsh?

And finally…

25) They tried to pattern Logan after the American western but totally missed the point. Wolverine is not a gunslinger. Wolverine is a fucking samurai. There’s a reason why I think the second Wolverine movie is the best one of the three, because it’s the only one that gets him right.

Wolverine.

Honor. Solitude. Bad-ass.

Not.

Whiny. Little. Bitch.

Okay I’m done.

– Mel

LOGAN: The Death of the Comic Book Movie (The Birth of the Comic Book Genre)

This is not a review, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants of Gods, X-Men, Destiny, Time, Love, Storm, Rogue, Beauty… Comic Books.

Logan: The Death of a the Comic Book Movie (The Birth of the Comic Book Genre)

…Or this is just me rambling on about movies and comic books as usual.

Logan (20th Century Fox)

Directed by James Mangold

Written by Scott Frank, James Mangold & Michael Green

Starring Hugh JackmanPatrick StewartRichard E. GrantBoyd HolbrookStephen Merchant & Dafne Keen

“I get the feeling this review is gonna hurt, kid. The kind of pain that doesn’t heal. You know what I mean?” “Of course I do. I’m extraordinarily wise for a lab experiment… oh yeah and I can drive.”

Make no mistake, people. Logan is not a good film. It’s not a good superhero film or a good western. Even as it tries to compare its own shit writing to the classic western Shane (SACRILEGE!!!), it is not a good movie, period. But what it is, what Logan turns out to be, is the latest in a welcome trend. A regular movie that just happens to star a comic book superhero. Not a superhero movie. Not a comic book movie. There are comic books in the movie. Wolverine waves them around from time to time, if that helps to put the character in context. But that’s about it. And it does not.

“You see, in this reality they made us into comic book superheroes for their kids but still hunted us down like dogs… because that makes total sense.”

Wolverine, everyone’s favorite X-Man, has had three solo movies. The first and the third have been complete bullshit. The second, however, is one of my favorite comic book movies of all-time. The second Wolverine is an homage to his stand alone title. It is a perfect replica. The pacing. The cinematography. This is The Wolverine. This is the comic that I collected from issue ONE. I say this all the time and I will say it here again. “If you do not respect the source material do not take on the job of bringing it to the screen.” But I was about to tell you what this awful movie Logan means for the industry.

“Awful? Well that’s just harsh. Play that Johnny Cash song again. I think I’m gonna cry.””

The first sci-fi genre was a straight space adventure. Trip To The Moon. The second was The vampire Film. Nosferatu. Since those two, we’ve had tons of space adventures and tons of takes on the vampire. These are tried and true genres that once every decade somebody tries to reinvent and breathe new life into. But also there are other types of movies that aren’t as flexible. They come and go from era to era. They disappear and have resurgences. Like the western or the gladiator movie. These are just types of movies not genres. (in this context anyway. Because words can be tricky)

“I will kill you all with my Star Wars Prequel Yoda-like, physics defying, aerial acrobatics because I am a cartoon character in a serious movie!!! ARRRGH!!!”

In the past, the superhero movie was a type. (type vs genre) It was a costumed adventure. Fight the bad guy. Save the girl. Save the world. Period. End of story. There were a few comedy bits thrown in but mostly it was the superhero’s tale. But these types of movies are coming to an end. Their time has passed. Logan is not a comic book movie. It just happens to star a character from a comic book. And that is awesome. (Even while the movie Logan is not that awesome).

“Say my movie is bad one more time. I dare you… Bub.” *snikt

Logan is not a western either, by the way. I read that somewhere. I disagree whole-heartedly. It thinks it’s a western, but it’s not. If anything it’s a post-apocalyptic survival story like Mad Max: Fury Road. But instead of a global apocalypse, Logan is about the mutant apocalypse. The chase to hunt down the last mutants. At the start of this movie all but three mutants are dead. Professor X, Callaban and Wolverine. By the end of this movie… no spoilers but everywhere you look people are saying this is the last Wolverine movie. This is the last Wolverine movie. So you figure it out. And don’t talk to me about the kids. They were made in a lab (*see note). So not a natural mutation. Logan, the end of the Wolverine franchise, is some dark stuff.

*note: Wolverine’s adamantium skeleton was added in a lab but his mutation, his healing factor (Deadpool has the same thing but that too is from a lab) and Wolverine’s heightened senses (smell mostly) are a natural mutation. Of course the movie Logan all but ignores his sense of smell. It’s almost like the writers never read the comic books… but anyway. What was I saying? Oh yes.

“Wolverine, would you please tell Mel to stay on topic.” “He doesn’t listen to me, Professor.”

The comic book superhero is officially a film genre and not a type of movie now. And I know I’m not using the right words but bear with me. Because the word genre can fit for both of these categories of things and it gets confusing. The way I’m differentiating here is in the ways they can be presented. Some film types are the same no matter what. Different plot. Different characters. But you know the beats. Romantic Comedy. You get the gist. International Spy Thriller. You know what you’re going to get. Gladiator films changed from Roman to Martial Arts but they generally stayed the same. The Comic Book Movie was just like that not too long ago. Dark or Light. Marvel or DC. Nolan’s Batman, Donner’s Superman, Whedon’s Avengers and Raimi’s Spiderman are all the same fucking films. Like the western. It was a box. You could throw whatever superhero you wanted into it and the beats would always be generally the same. I’m not saying they are all the same quality because they are not. And there’s nothing wrong with opening up a box, knowing what you’re going to get and still being pleasantly surprised. It’s hard to like movies unless you’re okay with that.

“Wait… Are you the vampire, Callaban? And does that make me the Zombie? I don’t get it.”

But then you have the full on classic genre that’s not beholding to any style. Vampires. Are probably the best example. There are no rules. You can have a space opera with vampires. You can have a rom com with vampires or a western. Most recently Zombies have become the go to for putting them wherever the fuck you want. If you made a section of vampire movies it would make no sense. There would actually be more types of movies than you could shake a stick at under the vampire genre. Comic book superheroes are now officially crossing into that zone. And I’m psyched. The R rated comic book film with no crime to fight, no world to save… fuck yeah.

“Did somebody call for a super-villain? That isn’t really super or necessarily a villain. Just a misguided corporate stooge who blindly follows orders. Did somebody call for a misguided corporate stooge who blindly follows orders?”

And again I’m talking Sherlock Holmes in space type shit. Not just some detective. I’m talking about recognizable comic book superheroes in all kinds of movie boxes. Not just some generic superhero they made up that’s supposed to remind us of stuff from the comics, but the name-brand heroes from the comics. It’s time for a Batman movie where he never puts on the cape. Just a detective story or a revenge tale. One of my favorite aspects of The Hulk movie (still my favorite comic book adaptation) is the romance between Liv Tyler and Ed Norton. And that’s what the Hulk was for me when I was a kid, a romance. Stop trying to make him into a superhero. He’s not a superhero. He’s a monster in love. Spider-man as a teen drama would be nice. Sure he’s still the spider-man but that’s not the movie. The movie is about a kid trying to finish high school. Stop it with the super-villains. Enough already. We get it.

“Logan, do you remember that Star Trek episode where Captain Picard has a full life and grows old in a simulated tribute to an alien species?” “No I didn’t watch that nerd crap.” “I wish that was what this was. Because this movie is depressing as fuck.”

So anyway, what Logan represents to me is the death of the comic book movie. We saw the beginnings in Winter Soldier… that’s more of a spy thriller than comic book. And Deadpool… an R rated fourth wall comedy, a parody of itself. The comic book movie as movie type, is burning itself out. There will still be tons made, because you know how it takes Hollywood a couple of decades before they get the point, but we’re already getting tired of them. Bring on the comic book heroes in regular movies. These are great classic characters. They don’t have to fight The Riddler every week. That’s just their job. It doesn’t have to also be the movie plot.

“Here Lies The Superhero Movie Genre… I mean Movie Type… May It Rest In Peace… I mean Pieces. – Hugh Jackman.”

So Logan, this mediocre, unbelievably corny and poorly written take on The Wolverine, really wasn’t that great of a movie from where I was sitting (seat L10 right behind the wheelchair section because, you know, leg room ftw). Even though Hugh Jackman is great as Wolverine, here he reminded me of Arnold Schwarzenegger coming back to play the Terminator one last time… nostalgic. And to tell the truth, I didn’t see Wolverine in Logan at all. I saw the actor who plays Wolverine and a character with claws who references the comic books like that’s enough. That’s not enough.

“Daddy?” “Yes Laura… wait. Did you just call me daddy? Damn, maybe Mel is right. This is some corny ass shit.” “I have to go to the bathroom.” “Hold it. We’re almost there.” “AARRRRGH!!” “Really? Again with the screaming?”

But what I also saw, in the theater, and on the screen, is what it means for comic book movies going forward… a whole new set of rules. The possibilities are endless. Creativity run amok. And that shit was better than the movie. That shit was beautiful.

– Mel

The Comic Book Movie is dead.

Long Live the Comic Book Genre.