Spared or Spoiled Movie Reviews: Moonlight

The rules are simple. The good get spared. The bad get spoiled.

Moonlight (A24)

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Written & Directed by Barry Jenkins

Starring Trevante RhodesAndré HollandJanelle MonáeAshton Sanders, Jharrel Jerome, Naomie Harris & Mahershala Ali

Wow. I did not see that coming. That was not even close to what I expected it to be. I was thinking this movie, Moonlight. This academy award-winning motion picture was about some hood type shit. Thug life update. Boyz n tha Hood meets Dope. But Moonlight is a straight up love story. Surprised the hell out of me. It’s very good though. The direction is amazing. The cinematography is unbelievably gorgeous. And the performances are fantastic. But the story. The story is this surprising epic love story. That just took me by surprise. Amazing. Fucking amazing.

Verdict: SPARED

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Moonlight wins best picture over the marginally over-rated La La Land because it is a better love story than La La Land. Much more believable and real. With pain and pathos and grit and gravitas. It is truly an amazing film. But it’s one of those dramas that you know is going to win all the awards because it’s painful to watch. And that’s because of all the emotional power and this movie packs some emotional power. Moonlight is a powerful film.

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Moonlight is about a fragile little boy from the hood who doesn’t want to go home because his mother is spiraling out of control with drugs. Doesn’t want to go to school because his peers already know what he hasn’t admitted to himself. A boy who, frankly, doesn’t feel comfortable in his own skin.

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The movie is in three parts (that’s why the poster has that three-part face on it). 1.Little. when he is little. Called Little by his friends (faggot and gay boy by his enemies) 2.Chiron. When he’s in High School. Called Chiron (his real name) by his friends now “Little” by his tormentors and lastly 3.Black. When he has grown into a black man. This division allows us to see the kid’s growth as a human being and his mother’s descent into addiction. Again, it’s powerful and painful to watch while at the same time an absolute joy to watch. It’s fucking gorgeous.

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His friendship with a local drug kingpin and his relationship with his drug addicted mother are pivotal plot point (with some beautiful and poetic irony and two insanely good performances), but they take a back seat to his sexual identity. Which the movie doesn’t hit us over the head with. Instead it bubbles underneath. Becoming a subtle but powerful (there’s that word again) underlying theme through all three parts.

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Moonlight hits very close to home for me as the boy tries to come to grips with his confusing sexuality and his (even more confusing) relationship with his mother. And at times it was almost too uncomfortable to watch (I had to cover my eyes more than once). A little too familiar, too triggering, too disturbing, for reasons that are too personal to get into on the blog (that’s right there’s shit I don’t talk about).

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Moonlight is refreshingly original, well-written and expertly directed with some of the best performances of last year. This is one of those movies that you carry with you for a while. Genuine and lovely and powerful. I know I keep saying how powerful it is but that’s probably the best word to describe it. Moonlight is a powerful film. Perfect in every way. Not average in any way. Unexpected. Genuine. Gorgeous. Powerful.

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When I pressed play on the DVD, Moonlight had already won best picture but I had no idea what I was getting into. What seemed like it was going to be a gangster’s coming of age tale of addiction and family and Black American neighborhood drama, turns out to be an epic LGBT love story.

And I did not see that one coming.

– Mel

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