This month’s movies are a mixed bag. Several of them I suggest watching with a barf bag because they are not good. Unless that’s your bag.
These are five quick reviews and one long personal story about… baseball.
So, once again I found myself with five reviews sitting in my DVDs folder, so here we go..
To the reviews…
Trance (Fox Searchlight Pictures)
Directed by Danny Boyle
Written by Joe Ahearne and John Hodge
Starring James McAvoy, Rosario Dawson & Vincent Cassel
What the guy who cut the trailer for Trance wanted the movie to be is so much better than what it is. I want to see that guy’s movie.
“Tell me how I get out of this contract.”
Trance is convoluted and silly. At times it is hard to follow because of deceptive camera work and at times it’s boring as all hell. The trailer for this film suggested something so much better. That is not what this is. Danny, I usually find something in each of his films that I like, Boyle is to blame for this. He makes horrible decisions here.
The stunningly sexy Rosario Dawson
Well, Rosario Dawson’s beauty is this movie’s one redeeming feature but Danny Boyle had nothing to do with that (I’m thinking; her parents, her personal trainer, herself) except for putting it on our screens (thank you sir). But other than that, Trance is a waste of time. A literal waste of time. The shittiness of the story and the ambiguous directing make this film a monumental waste of time.
Let me out of this bad movie
MILD SPOILERY RANT ALERT
We’re told a story at the end about what happened for the past hour and a half, and It could have been anything. But that’s not the important part. The important part is that they just wasted an hour and a half of our time. Trance is not worth that time. It’s not even worth the five minute explanation at the end. If it had been a substantially jaw dropping reveal then maybe but it ain’t.
END SPOILERY RANT
“Man, that’s harsh.”
“I don’t think he likes us.”
Skip it (Nothing but Rosario’s body to see here… move along)
Next up… something good.
On The Road (IFC Films)
Directed by Walter Salles
Written by Jose Rivera Based on On the Road by Jack Kerouac
Starring Sam Riley, Garrett Hedlund, Kristen Stewart, Amy Adams, Tom Sturridge, Danny Morgan, Alice Braga, Elisabeth Moss, Kirsten Dunst, Viggo Mortensen
Movies about writing are cool… I’m just saying.
On The Road is another masterpiece from the great Walter Salles, who brought us Motorcycle Diaries. It is a beautiful road picture. A beautiful adaptation of the book. With a beautiful cast and beautiful music and beautiful scenery.
Just like Emma Watson, the camera loves this girl.
With beautiful photography and beautiful writing and beautiful music. On The Road is just…
Oh what’s the word I’m looking for? …ah yes, GORGEOUS. This movie is gorgeous. I loved everything about it. Every goddamn thing.
Two fantastic actors who should be in every artsy film being made. Every one.
And the fact that four of my favorite and four of the loveliest young actors in hollywood are in this movie is just cake. Sweet sweet cake. I’m going to assume you’re already familiar with Jack Kerouac before I tell you to…
Rent it. Buy it. See it.
Next we get personal.
42 (Warner Bros. Pictures)
Directed by Brian Helgeland
Written by Brian Helgeland
Starring Chadwick Boseman & Harrison Ford
I felt that 42: The True Story of An American Legend pussied out on its subject somewhat. It could have been a little harder, it could have been a lot harder, but it softens its subject and its time period. I wanted it to be a little more awkward, a little more brutal and a little more baseball centric. It is after all a baseball movie.
“Say what you want about my cartoonish performance but I really commit to it, don’t I?”
Harrison Ford might garner a few nominations for his portrayal of Branch Rickey but he won’t deserve them. His performance is pure caricature.
I also felt the actor who played Jackie was too young.
This guy is way too young.
Please excuse me. I am a huge baseball fan. I am also a black man and Jackie Robinson is one of my personal heroes. So, I’m going to take a little personal detour here. Just skip the next two paragraphs if you must.
The real Jackie during that time. They try to recreate this moment in the film.
(It’s been a while since I talked about myself) I played second base, like Jackie did during his prime before he joined the Dodgers, when I played baseball as a kid. On an all white team. In an all white league. The way I remember it (I was very young), I had to quit or there was going to be bloodshed and this was in the seventies. Players were coming in spikes up into second. I was getting bad calls from racist umps. One umpire said to me as I came to the plate “You’d better be swinging.” His way of saying that he was calling everything a strike. Again I have to remind you that this was the 70’s and also I was a small child. One kid who spiked me in the chest, knocking me to the ground, was called safe at second. He was out by a lot and should have been thrown out of the game. This was not unsupervised: Parents, Adults, People in the Stands. And no one helped me up. Not my team or the other team or the adults. No one touched me. No one helped me. No one gave me a hand. But they were quick to manhandle me when I took a swing at that kid. Everybody wanted to put their hands on me then. Oh you have anger issues and we don’t want you in the league. Now ask me again why so few black men play professional baseball today.
Had they at least made a good sports movie, I would have given them a pass.
I am no where near as strong as Jackie. Never have been. I still ain’t. I joined a billiards league a few years back. Again, only black person. This was Los Angeles, 21st century. A guy on my own team kept trying to get under my skin. He said there was no need to call my shots because we played nigger pool. I asked him not to use the word but he kept right on trying to rattle me. I had no means to shut him up you see. I couldn’t beat him at nine ball because he was on my team. He kept saying it while I was shooting. During the actual tourney. As loud as he could. “I’m just calling it what it is. It’s nigger pool. It’s nigger pool. What’s the matter with nigger pool?” No one shut him up. I waited for that one white guy who tells his friend to knock it off. But he wasn’t there. He said it one too many times and needless to say after they pulled me off of him, I was asked to leave.
This movie dances around race like Jackie used to dance around the bases.
These examples are nothing compared to what Jackie Robinson went through. And I got into a fight both times. And thrown out of playing a sport I loved both times. 42, which is the story of Jackie Robinson’s rookie season and, I guess somehow, about the retiring of his number, is a watered down and softened for middle America version of what Jackie went through. It is poorly written and badly directed by a writer and director that I’m guessing knows little to nothing about baseball. It just isn’t very good. If you want a good racially charged baseball movie watch Bingo Long’s Travelling All-stars & Motor Kings (1976 and yes that is the name of the movie)
Billy Dee Williams, James Earl Jones & Richard Pryor
Wonderful cast. Fantastic baseball scenes. (The baseball in 42 was sorely lacking for story and situation) If you want to see a good baseball biography watch The Pride of the Yankees (1942)
Gary Cooper… considers himself… the luckiest…
42 was lacking in its baseball content. Lacking in its biographical content. And just lacking. In my opinion, if 42 wins an Academy Award, you can honestly chalk it up to white guilt. I am sorry to be so blunt. Jackie Robinson deserves a more powerful and better film. Maybe next time.
Skip it. (Or wait for it to come on TV. It’s like a made for TV movie anyway)
Olympus Has Fallen (FilmDistrict)
Directed by Antoine Fuqua
Written by Creighton Rothenberger and Katrin Benedikt
Starring Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Robert Forster, Cole Hauser, Finley Jacobsen, Ashley Judd, Melissa Leo, Dylan McDermott, Radha Mitchell & Rick Yune
Olympus Has Fallen is little more than a rehash of Die Hard. It has a great cast but bad dialogue. No real writing took place in the making of this film. There’s “kind of okay” action (that’s the best way I can describe it) It’s just “all right” but not anything to write home about (or blog about).
“Everyone’s waiting for you to say it.”
“Yippee ki yay. Motherfucker.”
Seriously, I loved the casting, is really the only compliment I can make. I loved every one of these actors in better things. But this is not good. It’s directed pretty well for what it is; A movie with no dialogue or just some slightly changed Die Hard dialogue and no plot except a slightly changed Die Hard plot.
Gerard Butler as (not) John McClane
So really, honestly, people, just rent Die Hard. It’s a much better movie with an awesome cast as well. Don’t let the people in this derivative piece of crap suck you in, like it did for me. Don’t make the mistake I made.
I regret the time spent watching this.
Skip it. (Rent Die Hard instead [the first one not the fourth or fifth one])
The Big Wedding (Lionsgate)
Directed by Justin Zackham
Written by Justin Zackham Based on Mon frère se marie by Jean-Stéphane Bron and Karine Sudan
Starring Robert De Niro, Diane Keaton, Ben Barnes, Katherine Heigl, Amanda Seyfried, Topher Grace, Susan Sarandon & Robin Williams
It is rare when I can’t get through the first half hour of a movie. Rarer still when I don’t make it past fifteen minutes but when I have to turn a movie off after five minutes… well then you’ve got yourself a seriously inane and insipid pile of feces. Or the star-studded fiasco, The Big Wedding.
This movie is as bad as this cast photo makes it look.
In the first five minutes Robert Deniro places Susan Sarandon on the kitchen counter in preparation of cunnilingus (yeah that’s right). They have just returned from walking the dogs or going to the market… whatever. They came from outside. He puts her on the counter but they have no idea that Diane Keaton has let herself in and is also in the (small & open) kitchen with them… well needless to say hilarity ensues. Wait. No it doesn’t ensue. It’s stupid. And unnecessary. And pointless. And badly written. Horribly directed and beneath all three of the actors in the scene.
But in the following scene Amanda Seyfried and her fiance… let’s just call him no name guy… are in the office of their parish priest; played by Robin Williams, who makes a joke about all the Chinese people at Harvard. (side-splitting comedy it is not) So the no name guy begins to insult the priest in a Chinese dialect but before he can say the foul word he’s working up to, his wife-to-be kicks him just in time. Whew. This is all in subtitles of course and I’m guessing Amanda could also see the subtitles and feared that Robin was going to read them as well..
So let’s see… Crass? check…. Racist? check… Stupid? check… Embarrassingly bad? check.
Waste of time?
Turn it off?
Skip it? check. check. check.
And now for something completely different…
Another Earth (2011 Fox Searchlight Pictures)
Directed by Mike Cahill
Written by Mike Cahill and Brit Marling
Starring Brit Marling & William Mapother
To make up for the last movie I included a bonus one. The bonus movie this time out was recommended by a twitter follower (twitterer, twitter friend) It’s called Another Earth and it is the first feature film by writer/directors Mike Cahill and Brit Marling (who also stars in the film)
She’s got a ticket to ride…
Another Earth is a fantastic little film about the discovery of… another Earth. It reminded me of Melancholia in a lot of ways but it was not quite as trippy as all that. At that exact moment there is a huge bit of tragedy that happens. And those two things make for a great story and a great movie.
I love pictures of planets in the sky that are as big as the moon
Another earth is a great story with some heady and very deep themes. There are fine performances, a thought-provoking premise and story development that left me speechless. I love it when a movie does that; leaves me speechless.
Brit Marling is wonderful in Another Earth. I can’t wait to see more of her work.
It’s one of those films where everyone will get something different out of it. Sure, it’s about redemption. It’s about forgiveness. But it’s also about discovery. And about courage. All with a beautiful soundtrack. I highly recommend it.
But leave your astrophysics degree out of it. Another Earth is a fantasy. It is a parable. It is not meant to be scientifically accurate. Fact.
Rent it. (Yet another movie to add to my collection)
So to Recap:
On The Road and Another Earth are two of the best movies I have seen all year. Completely different stories. One is earth-bound (as opposed to Earth 2 bound) and primal & sexual, while the other floats above the earth and is spiritual & emotional. These are the only two good movies I review this month.
Trance has Rosario Dawson’s naked body and those are the only two good things about it
42 is a softball pitch for a hardball subject but is well-meaning and well-dressed. The only two good things about it.
Olympus Has Fallen has a fine cast and is a good reminder for everyone to go rent Die Hard. Only two good things about that.
The Big Wedding is… um… I got nothing. I turned it off. I turned off a movie where Susan Sarandon is getting eaten-out in the first five minutes. I love Susan Sarandon. it would have to be a really bad movie for me to do that and It is.
But I’ll tell you what’s not bad… 2 out of 6 ain’t bad.
Until next time movie lovers,